DR. ROBIN CRAIG

Dr Robin Craig has a PhD in molecular biology and a keen interest in science and philosophy. He believes that art in all its forms should have something to say or it isn’t worth doing, but that the pleasure of reading is as important as the theme.
In our world of rapid progress, he feels that science fiction set in the near future is a perfect vehicle to explore intriguing themes relevant now and in his readers’ lifetimes. He approaches ethical and philosophical questions from an original viewpoint, using thought-provoking plots spiced with hidden delights and interesting, sympathetic characters.
Dr Craig wrote a number of short stories before becoming interested in the more flexible possibilities of longer fiction. His first novella, Frankensteel, explored the world of artificial intelligence and the rights of a thinking machine. That book introduced detective Miriam Hunter, then at the prime of her career. His first full length novel, The Geneh War, goes back in time to the start of her career, and the third in the series, Time Enough for Killing, follows shortly after the events in Frankensteel.
He has also gone beyond near future science fiction, with the historically based time travel novels The Time Surgeons and Hannibal’s Witch, the re-imagining of the story of Jesus in The Passion of Judas, and a collection of short stories in Past, Present, Future.
He also writes non-fiction. In addition to 14 scientific papers and a long-running philosophical series in TableAus (the journal of Mensa Australia), he was a contributor to The Australian Book of Atheism with his chapter on “Good Without God”, on the importance and validity of secular ethics.
THE UNSEEN
I wake up, my head scolding me for such impertinence. The sun streams into my apartment through the open window, as if extending a hand of warm friendship.
Damn sun!
I peer reluctantly around my room, wondering what I did last night. It doesn’t take Sherlock Holmes to paint a sorry picture from the half-chewed pizza slice slumping on the table and the empty bottle of bourbon lying open on the floor.
Once I was a painter, the artist kind not the tradesman kind. Not successful, not yet, but on my way up. Or at least I thought so. I believed that life should be grasped, that nothing was more important than the work we choose to carve our own identity into an otherwise indifferent reality. Almost nothing. My life was one of struggle, yet one filled with the joys of potential and growth. If my work was my passion, the friends I collected along the road were my love. Not the food of life, but the spice. Not just spice, but a rare and wonderful one.
What a fool.
When my wife died, I died. Our love was an expression of us both, of our totality, our work and our life and our dreams. The work could not survive her loss. The hope and fire became ashes with her.
At some level, I know I should get over this. Never fully over it but placing it gently in its own sacred room, where I could treasure and revisit it without being ruled and ruined by it. While my life and work go on. I know it is what I should do. I know it is what she would have wished. But I cannot. It is if a dim film lies over the world I once loved, and it can no longer reach me. I still meet my friends, occasionally. But they can no longer touch me either.
I do not need to work, not for a long time. My wife, ever more prudent than I, was careful to maintain a healthy insurance policy in case something happened to her, never believing it would. For whom does? And yet it did. A mistake. I still need to eat and drink, as the pizza and liquor attest so eloquently. Perhaps if I still had to work, I would work and work myself back into myself. There can be a fine line between prudence and folly, though I know it is I who corrupted one into the other.
I know this is self-pity. But the knowledge brings no power to overcome it.
I feel a sudden rebellion against the mess and scraps and smells, attempt to make myself slightly presentable in some feeble echo of past pride, and head down to the street.
I smile amiably at the doorman as I pass, but he ignores me, staring stonily ahead as if I am not here. I wonder what I did to him to offend him so but lack sufficient desire to find out. As I turn, I gently bump a passerby. But instead of the expected gruff “watch it!” he just shakes himself and moves on, as if my existence is beneath his notice in his busy private world.
There is something strange about the people I pass. I am used to the way pedestrians on a busy street ignore each other, but it is both more and less than that. It is like they do not even see me. Even if I smile at them, I get neither smiles nor scowls in return, just blank indifference. Yet if I am in their way, they pass around me, without acknowledging my presence.
Weird.
What was that thing I read about once? Blindsight? An affliction in which a person reacts to what they see, yet are not conscious of seeing it? It is as if the world has become blind sighted. Do they see each other? Yes, I see people greet each other, talk to each other, farewell each other, even argue. It is only me they do not see.
I smile grimly to myself, remembering my thoughts about the dim film I have cast over a world I no longer truly see or care for. Perhaps the world is now returning the favour.
I shiver. Get a grip!
Then I laugh at my own delusions. Somebody must.
I pick a breakfast spot at random, so unfairly offended at the world that I’d rather meet new strangers than risk old acquaintances. I sit down and try to attract the attention of the waitress, but she ignores me, the amount of her tip dropping by the minute. As she passes, I touch her arm, but instead of turning to me, she shakes her arm and moves on: not annoyed, not even puzzled, just reacting to a half-felt touch that didn’t reach her awareness. Like a cat twitching its tail at an unwanted contact from something beneath its dignity to notice.
Though there are empty tables, a man sits down opposite me, ignoring me like everybody else. I start getting annoyed but then decide to just run with this strange day and test its limits. I stare at him, but he doesn’t flinch. I pick up a piece of his bacon and chew it, glaring at him challengingly, but he doesn’t react to the insult. I even take his coffee out of his hand and drink some, but while he looks a little puzzled to then find it sitting on the table, he just picks it up again and resumes drinking. I am tempted to spit in the damn thing.
I poke him in the chest, but he reacts no more than the waitress when I touched her arm. I wonder how he would react if I stabbed him with a knife, but I decide I’m not ready for such drastic action. He’d probably just think he’d somehow stabbed himself!
Suddenly panic constricts my chest and I run. I leave a trail of disturbed people in my wake, but the most reaction I get is when two of them think they bumped each other and start quarrelling.
I lean with my back to a wall, panting heavily, seeing the crowd who cannot see or even feel me, only the wake of my passage: as if an invisible ship cleaved their ocean but all they see are impersonal waves fleetingly rocking their existence.
Then it dawns on me. The strangeness and contradictions finally worm their way into my own consciousness, and I realise this is a dream. Have you not had the same experience? A dream drifting into the shallows of your mind until you realise its nature, and once named, vanishes?
But the wall resolutely remains a wall, the crowd continues going about its business. If this is a dream, then it will not let me go.
I wander around until it is dark, stealing food when I am hungry and drinks when I am thirsty. What else can I do, when nobody can see me to accept payment? I wonder if I can enjoy myself. There is a snooty nightclub. In my rising career, I might have gained entry. Now, no way, yet I just waltz in without challenge. I taste a few expensive drinks, dance before a few attractive girls, mesmerised by their rhythm and what it does to their bodies. I see a couple smile at each other, take each other’s hands, and leave. I could follow them, and they would be none the wiser, but I cringe from such invasion of privacy. A flame of lust hits me, and I realise I could follow any of these women home, and I wonder what they would do, how they would react and explain it, if I were to have my unseen way with them?
Some have said that we are moral only out of fear of being caught, and who can punish the unseen man? But they are wrong. Perhaps it is their own selves they are describing. While I feel I have lost myself, I find that I have not. I would never have violated someone’s rights so terribly before. If I did it now, my wife’s ghost would despise me. My own soul would despise me. Then I would truly be lost.
***
It is early morning. I am walking along the beach, feeling the cool breeze off the ocean, relating to the mournful cry of lonely gulls, attempting to feel the beauty of the growing dawn, yet feeling that too is beyond me.
I like the emptiness and peace. I hate the crowds who cannot see me. If I am to be alone for the rest of my days, I prefer to be truly alone, just me wandering an empty world.
So, I feel a twinge of annoyance when I see a man sleeping on my beach, wrapped in some ratty cloak, as if he had dropped there in despair yet still held a hope of the dawn to come. He seems to sum up my own existence: a lonely body, alone on an empty beach, no future or past, just a life washed up on an infinite and uncaring shore. I approach him and look down upon him.
I feel a savage desire to kick him just to watch him react, but I recoil from my own incipient cruelty. Such thoughts are strange to me, and I wonder if I am losing my soul. What then will be left of me? Perhaps when I betray the last of me, my body will dissolve into mist, and I will at last be free of this curse where I exist without leaving a mark or a ripple in others’ minds. But I cannot betray the last of me. Not yet. Something still holds me to this Earth. So, I gaze upon this stranger’s face, wondering what story his life holds and what led him here, knowing I can never know.
He opens his eyes.
***
I awaken on the beach, to find a woman staring down at me. She is young, raven-haired, attractive in a purposeful if somewhat lost way, her eyes a living blue peering between long black lashes.
Eyes that are alive, boring into mine, not filmed and unseeing. I am too startled to be cautious, and cry out, “You can see me?”
Her eyes widen and she replies, “You can see me?”
If not for her strange echo—and if I were dreaming, how am I on the beach I lay down on in that dream?—I might have thought I had finally awakened. Yet I remain cautious, not wanting to graduate from dreaming to being locked up for my own good.
“What do you mean?” I ask.
“You know what I mean!” she snaps. She is either more courageous than I, or more desperate.
We stare at each other for long moments, until she asks forlornly, “Do you think we’re dead?”
“I don’t think we’re dead. No body, no obituary. And who heard of ghosts having to eat?”
She sits down next to me with a sigh. “What has happened to us?” she asks in a small voice. I can only shake my head. For now, we feel no need to introduce ourselves, no need to relate our life stories. For now, it is enough to be together and watch the sun rise flaming above the waves.
***
Weeks have passed, weeks as vague as a dream, yet filled with a sharp sweetness.
Perhaps I am in love. This man I found on a beach, so shattered, yet retaining some indomitable strength that while beaten down remains waiting to reassert itself, has reached my soul in a way no other has. He too seems to be healing. He now looks at the beauty of trees, sunsets, streets and people as if not passively accepting their glory, but itching to take it, express it, improve it and make it his own. He said he was once an artist. Now when he is lost in contemplation, I see his fingers twitching, as if holding an invisible brush.
And I see in his eyes a reflection of the feeling in mine.
Finally, one night he reaches for me, and we make love where we are, on the beach, in sight of the whole world if only it could see us, without guilt or regret. As I gaze on his sleeping face, I wonder if one day we shall have a child, but tremble at the thought. Would they inherit our curse? Or worse, never be able to see us or feel our touch? Never know we were. I shudder, then I too am asleep.
***
I wake with a start in my own room, no longer on the sand. No longer with her. I look around and see that even the fungus has given up on my old pizza.
Something ineffable has changed. The world feels real, pungently tangible again.
I see my dried-out paintbrushes, and for the first time in so long, feel the need to again express the inexpressible. I think of my wife and find her where she would want to be: in my soul, in that room where I can visit her, but in my past, not coating my present with impossible regret. I think of what I have won.
Then I remember a dark-haired dream lover, and think of what I have lost.
I head downstairs, and the doorman greets me. The world, so long shrouded in mist, seems bright and alive with promise. I smile at people in the street, and some of them smile back. I laugh in simple abandon, and some people grin at me, others pull back nervously. That just makes me laugh the more.
I order my breakfast, sip my coffee and lean back, closing my eyes in melancholy contentment. I feel someone sit down opposite me and open my eyes at the intrusion.
Her bright blue eyes look at me through her long lashes, and I smile.
Robin Craig © 2025
SORGHUM COUNTRY
This is my kind of truckie. He picked me up on a lonely stretch of the highway, a raised eyebrow his only enquiry about what I was doing in the middle of nowhere. Nor did he offer any comment when I neglected to inform him or even inquire into his own destination.
Truckies must be used to the loneliness of the road, but for some the arrival of a pair of ears unties their tongues, and they feel a need for conversation. This one looked like he would welcome silence as much as speech. So, he communed with the road before him while I communed with the land it passed through, and our peace seemed as much a bond of companionship as tales and laughter.
But it was a melancholy peace, at least for me. There is something about passing through such empty country that makes me feel the loneliness of its inhabitants, scattered among the vast fields of grain and cattle, little islands of people in their remote farmhouses. I know of their existence, but not of their hearts or minds. As I pass by their brief domains, I know that, as intense as our lives are to ourselves, with all the passions and fears, loves and hates, ambitions or laziness that are the common heritage of our kind, nothing of us exists in the mind of the other.
Just like the truckie and me, I reflect. Lives briefly intersecting, never knowing more than that raw fact of simultaneous breath, never to meet again, never to learn each other’s fates. Perhaps never to think of each other again.
In the distance I see a derelict farmhouse, set a little back from the highway among some trees. Its beams show stark against the sky: a skeleton still half-dressed by walls that once protected the warm lives inside, but now are nothing but their slumped shrouds and silent memorial. Yet it must have been the heat haze, or maybe just a projection of my own mood, for as we come closer, I realise it is not derelict at all. The white walls look well maintained, its garden has flowers somehow defying the harsh sun, and a metal sign hangs by the roadside, tersely declaring: ‘Rooms’.
I had no plans other than a vague goal of reaching some town or other, but something about this place calls to me, as it shimmers ahead like some vision of the past. I ask the driver to let me off here. He offers me a sidewise glance. “Are you sure, mate? There’s nothing much around here. Happy to drop you off at the next town or so instead.”
I shake my head and he shrugs, as if leaving me to my fate. He drops me off at the roadside some distance past the homestead, then his rig rumbles off into the heat haze, until nothing is left to mark its existence but a haze of gritty red dust and a faint whiff of diesel.
I walk back toward the house, which continues to play with my eyes as the sun beats down on my head. It had looked derelict, then white and elegant, timeless; but now as I stand in the heat gazing at it from the roadside, it shows as faded and worn, the metal sign now tarnished, squeaking gently as it rocks in the soft breeze. Once the house must have been grand, a place full of wealth and the laughter of children, but the past glory which sang to me is long departed. I put my duffel down and stand there for a while looking at it, contemplating my prospects.
I gaze both ways down the empty highway. I shrug, running my finger through the sweaty dust under my collar, then pick up my duffel and stroll up the driveway to the house. I climb the stairs to the front door and, taking the mat’s proclaimed ‘Welcome’ at its word, let myself into an interior as cool as it is gloomy.
I expected to find its owner some matching relic, perhaps an old lady possessed of the same faded elegance as her hotel. So, I am surprised to encounter a young woman, slender and attractive, dressed in a simple white gown, glossy chestnut hair framing a face with grey eyes, startling in their intensity.
I ask her whether I can rent a room and she nods once. I ask her name but she only smiles, pointing to her lips and throat and shaking her head, as if indicating she cannot speak. She points to the register, pens and a folder of information.
I look around the hall, wondering what I am doing here. There are no brochures touting the local tourist attractions, but I guess that if this place is here, there must be something nearby. Maybe horses for riding, though I had seen none. Perhaps a river or a lake where a man can fish or swim. I glance at my hostess, and it is if she can feel my reluctance to stay, for her eyes contain a strange pleading, though she makes no effort to plead more directly. I smile at her and fill out the register, and she smiles back.
She leads me up the wooden staircase to the first storey, explaining with gestures which room is mine and where the amenities are. I ask about dinner, and she holds up six fingers. Then she lets me into my room and leaves me to my privacy.
My room has a high ceiling and a slowly moving fan dancing with even slower moving flies. There is no air conditioning, but I have the fan and the large window. I do not mind the heat.
Curious, I look through my lodgings. Some old clothes still hang in the cupboard, mouldering in the dark as they have done for years, perhaps more years than I have been alive. Among some ancient papers in a drawer, I find an envelope loosely tied with a black ribbon. Perhaps it is rude to open it, but if it was meant to be private, why would it be left here for any stranger to find? In any case, like the house itself it calls to me. Inside is nothing but a photograph. It is old, black and white faded to yellow, and shows a young woman. She is simply but well dressed and looks directly at the camera with a faint smile. Around her neck hangs a pendant with a stone, from its shade I guess a sapphire. The woman looks remarkably like my hostess, so I guess she is some ancestor, long dead now.
There is a knock at my door. When I open it, outside is a tray of hot food and a bottle of cold beer beaded with moisture, but my hostess did not stay to greet or join me.
I eat alone in my room. The food is simple, but tasty enough and filling. When I am finished, I place the tray outside and close my door. I gaze again at the old photo, and, looking into the girl’s face, I wonder what happened to her, whether she had a happy life; whether she married, had children, and perhaps my strange hostess yet carries part of her life within her. Though the black ribbon gives me unease, and I suspect a more tragic end greeted that wistful smile, so alive with uncertain hope. But whether she lived a long life or a short one, I know that, like her once home, only echoes now remain of her life and joys and sorrows. I feel a strange affinity with her, and sit at my window, contemplating her. She is like the people I passed in the distance, only more so: separated by not only miles but years.
I sit there a long time, absorbed in her face and the rhythm of the land. This is sorghum country, and the grain slowly ripples in the haze as the lowering sun beats down uncaring. An eagle circles lazily far above, perhaps hoping for an incautious rabbit. A police car hares along the road without stopping, as indifferent to my presence as the sky.
I close my eyes, and a young woman haunts dreams of long ago.
Then something awakens me from the dream, and I am startled to see my hostess in my room, looking so much like my dream that for a moment I do not know whether I am indeed awake or still sleeping. She gazes at me with an odd hunger in her eyes then smiles gently. I smile back, uncertain what else to do. Then she steps forward, shrugging her gown off her shoulders, watching me nervously. Whatever she sees in my face emboldens her, for she leans over and kisses me long and gently on the lips. When she lifts her head I look into her eyes, which show fear, excitement and a driving passion that will not be denied. My own desire awakes, unable to refuse her even if I wished, and I reach for her, pulling her down to me. She is soft in my arms, almost insubstantial, and I can tell that this is something she has never done. Then when we are finished, for the first time a sound escapes from her lips, a sigh speaking of a need long desired, long absent, now finally reached; but a breath so soft I cannot be sure it is her and not merely the rustling of the sorghum in the breeze.
When I look at her, she is already asleep, a soft smile on her lips, a smile of release, contentment and fulfilment. I feel an unaccounted tenderness for this girl, and I hold her in my arms as I too fall asleep.
I wake to the mournful sound of crows in the rafters. The rising sun casts shadows of the naked beams above my head across my naked body and the decaying mattress upon which I lie. I dress, looking around at the ruins of the house, then carefully descend the rotting staircase until I reach the outside. I look at the collapsing building, the dry sticks where flowers once bloomed, and down the driveway the remains of a rusty sign lying in the dust.
I lift my hand in farewell, though to whom, I do not know. Then I turn and walk away.
I wonder when the next truck will be along.
Robin Craig © 2024
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